Watching little Bodhi catch lizards in our yard, I am amazed that they keep appearing. I thought I had a pretty good eye for reptiles; he beats the crap out of me. Squinting, I stand perfectly still and try to catch a glimpse of movement before Bo does, but all I see is leaves and flowers. It’s as if he wills the lizards into being. “How do you [Read more…] about Watching
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Quick
“Quick” wore a bunch of different outfits before it settled on a look. It tried sad and lumpy, waifish and thunky, strident and pleading. And it wound up sounding like an amalgam of all of these, like someone locked in a closet with nothing better to do than wear all the clothes in the closet at once.
I think “Quick” is actually in the closet on purpose, though, hiding. It’s a very sad song, in my opinion. I enjoyed playing it, but not singing it. The music is almost anthemic, the vocals…well, sorta pathetic. Which has its place. I do what songs tell me to do and I’m actually pretty good at pathetic; it comes naturally to me. But “Quick” is a stomach ache.
The first time I played it in the studio, it belted itself out, so I responded with pounding piano and loose drums. Then it got so fragile, I thought it would break if I added so much as a quiet cello bed. I remixed it, then re-recorded it, tried it solo acoustic, full on electric with countless overdubs, but it never really settled in.
I was confounded by its inability to settle. Then I stopped to make a pot of coffee and think. “Quick” is many stories rolled into one. It never slammed on the brakes and rejected my advances like most songs do (they tend to get fed up with my butting in and yell “Stop!”), but it never really shone when left completely alone, bare bones acoustic, either. So I figured “Quick” probably knew what it was doing, and I let it be an “unsettled” kind of song. Which works, oddly enough.
After all, some of the best people I know are unsettled; they try this and take up that, shift over here for a while and then ping-pong back to where they started. They try roles and voices and attitudes but never with the intent to adopt them permanently. And they never accept or reject anything outright; they just move on, vague and distracted. They’re vines and flowers. “Quick” is for them.
Love,
Kristin
Find this song and all my recent work, in multiple formats – including lossless, free for download on my CASH Music pages. Information on how you can support the creation and distribution of this music by becoming a subscriber is here.
Bamboo
Sometimes, the world ends for a whole month. Then, shattered and rattled, you look up and someone you know is pointing out something cool. Something Strange and Important, like bamboo dancing around in a blizzard. It shatters and rattles you out of the wicked month and into another, better one. A month that might help you through, of all things. Inject some Strange and Important into now.
“Bamboo” crawled into my ear in San Francisco. I had no idea what [Read more…] about Bamboo
Tour Diary – May 2009 – Week Three
Day 15 – Brighton. Billy, Paul and I were separated in the Norwich club last night by the enthusiastic after-show crowd, so we catch up on the night’s activities while running errands in the morning. Well, Billy and I are running errands. We need to buy blank CD’s and band-aids (“plasters”)–the CD’s are for selling at shows, the plasters are for Thumby, my busted thumb which refuses to help me out and just goddamn heal already. [Read more…] about Tour Diary – May 2009 – Week Three
Opiates
In the studio, you build a song layer by layer: cement to mayonnaise, as it were. You start with the basic structure and develop the feel over a series of sonic events that eventually lead to, well, goo. Whether your goo is a room mic or a reverb, the sheen is not musical, but it holds the track together. When you’ve reached goo point, it’s time to go back to cement and start peeling away layers that serve no purpose.
“Opiates” reached goo point rather quickly, as it seemed determined not to [Read more…] about Opiates